Cocktails, food and more cocktails

photo (13)Before you get worried, let me clarify: the title describes my reading list, not my nightly routine. Currently, I've got a foot-high stack of cocktail history books on my coffee table and a couple more in my bag. As both a craft bartender and food/drink writer, deep dives into cocktail history and lore have sharpened my skills and deepened my interest in the subject. I'm also lucky to have friends and loved ones who loan me books. Since the craft cocktail movement is still building here in Birmingham, it is also relatively new to public understanding. As a result, local libraries don't have much related material. My coworkers and friends have been invaluable in pointing me towards the best history and reference books in the field. Here are a few books that I've thoroughly enjoyed:

  • Jim Meehan's The PDT Cocktail Book This funky, modern cocktail book breaks down every part of the bar experience into interesting and manageable segments. All pieces of drink-making and preparation are explained, including infusions and syrups specific to each recipe. Though some home bartenders may have to rebalance a few recipes to please their own palates, it's a wonderfully accessible primer on all things bar-related.
  • Jerry Thomas's How to Mix Drinks or The Bon Vivant's Companion or The Bartender's Guide Thomas's historical cocktail guide is delightfully Victorian without being prudish. Widely considered the great-great-great grandfather of modern mixology, Thomas is responsible for much of the flair and technique that made the American Cock-Tail into what it's become today. However, many of the recipes are written in measurements vague enough to kill even the best constructed drink. Luckily, modern cocktail historian David Wondrich has written a fantastic biography of Jerry Thomas called Imbibe! that translates and, in some cases, slightly rebalances these cocktails for the modern palate.
  • Wondrich also crafted a fantastic history of punch in Punch: The Delights (and Dangers) of the Flowing Bowl. At once sassy and informative, this guide traces the drink's origins, takes a stab at its exact date of birth, goes on to give historical recipes with translated, user friendly modern equivalents.
  • David Embury's The Fine Art of Mixing Drinks is an unintentionally hilarious, overtly sexist and absolutely curmudgeonly take on bartending. Embury himself never worked a bar shift, but had such strong ideas of how drinks should be made that he taught seminars on the matter after Prohibition. I'm only a few chapters in, but have laughed out loud multiple times.
  • Brad Thomas Parsons's Bitters is both historical and practical for the home bartender. If you've ever been curious on what exactly bitters are or how they're made, pick up a copy and enjoy. (Disclaimer: I've only read the introduction).
  • Ted "Dr. Cocktail" Haigh's Vintage Spirits and Forgotten Cocktails is a delightful romp through pre- and post-Prohibition cocktails. Home bartenders beware: some of the recipes aren't balanced for modern tastes. Some drinks might not be to your taste.

Cocktail of the Hour -- Blood and Sand

20131102-123144.jpgAs much as I love all things whisk(e)y, I'm still dipping my toes in the peaty waters of scotch and scotch cocktails. One of my recent favorites is the classic Blood & Sand. Composed of equal parts blended scotch, Heering cherry, orange juice and sweet vermouth, the drink is surprisingly smooth and sensuous. This tipple first appears on the radar in Henry Craddock's 1930 The Savoy Cocktail Book. Its name is most likely derived from the 1922 movie that starred Rudolph Valentino, but its history is otherwise unknown. More recently, its revival was almost halted by its ingredient list. In fact, master bartender Dale DeGroff rediscovered the recipe in the mid-1990s and was so intrigued by the combination that he both doubted its value and had to try one.

Though the ingredients might seem incompatible at first glance, the result is a rich, almost-tropical-punch drink. Rich cherry liqueur adds weight, sweetness and velvety texture that's balanced by the orange juice's acidity. The scotch gives the drink the smoky, peaty notes that are grounded by the rich wine-y-ness of the sweet vermouth. On paper, it appears of be a cacophony of tastes, but in reality, it all comes together for a right, delicious experience.

Recipe:

.75 oz orange juice .75 oz Heering cherry .75 oz sweet vermouth .75 oz blended scotch 

Combine ingredients in a cocktail shaker and shake until well-mixed, about 13-17 seconds. Strain into a chilled coupe glass and serve.

Cocktail of the Hour -- the Negroni

Image c/o Angel Negrin Despite all of the amazing alcoholic products exported from Italy, it's not a place known for its cocktails. Since the country didn't have to get creative to make illegal spirits palatable, few recipes have emerged. However, a few Italian cocktails have become critical parts of cocktail history.

One that has inspired endless variations is the Negroni. Like many other cocktails, this one doesn't have a clear cut backstory. Its origin is traced by some back to 1919. At that time, Count Camillo Negroni is said to have ordered an Americano (equal parts Campari and sweet vermouth) with gin and no soda.

The result was and is a cocktail with a beautiful ruby tone. Taste-wise, the Campari adds a bitterness and sweetness that plays around the gin's herbaceous bite. Sweet vermouth balances these flavors with a smoky, wine-y earthiness. Though many bartenders have rebalanced this cocktail to please modern palates, others argue passionately that these variations are not actually Negronis.

For that reason, I've included the original recipe. By what I can tell, it's also the most historical, so it's the best suited for my purposes. Other interesting variations to try include the Boulevardier (sub bourbon for gin), a 1794 (sub rye for gin) or a Boulevarista (sub tequila for gin). With one Google search, I uncovered more than twenty variations, and scores of others exist in books and bars all over the world. With the number of possibilities available, it's just a matter of finding one that's to your taste.

Recipe:

1 oz Campari

1 oz sweet vermouth

1 oz gin

Combine in a mixing glass and stir for 12-15 seconds or until combined to taste. Strain into a chilled cocktail glass and garnish with an orange peel.

Cocktail of the Hour -- the Martinez

Photo c/o Angel Negrin As you might have gathered, cocktail history is equal parts interesting, contentious and vague. For every cocktail with a crystal clear genealogy, five more exist in a much more nebulous place. Such is the case with the Martinez.

Sometimes called the father of the Martini, this drink is supposedly named for the town in California where it originated. Other cocktail lore suggests it is one of Jerry Thomas's creations or is named after the bartender who invented it. Unfortunately, there is little information to back up any of these stories.

Even if the Martinez didn't have a direct impact on the creation of the Martini, each drink represents a different route for mixing gin-based drinks. The Martinez is basically a gin Manhattan complete with sweet vermouth, while the Martini gets the dry vermouth treatment.Interestingly, recipes for each cocktail have varied widely over the last century. Thomas's How to Mix Drinks (etc) presents a cocktail that has a 2:1 vermouth to gin ratio, while The Savoy Cocktail Book inverts these proportions.

Personally, the more modern recipe is more pleasing for my palate. Though you can occasionally catch me drinking straight vermouth, I prefer cocktails that accentuate the base spirit rather than covering it. In this case, the vermouth tends to overpower the Old Tom gin. This style is heavier on botanicals than the now-popular London Dry gin, and is not as widely available. In fact, only one store in the entire state of Alabama carries a brand of Old Tom.*

The result is a light, nutty drink with a sweetness balanced by the addition of bitters. Even though it finishes dry, the addition of the sweet vermouth provides a depth of flavor beyond the Martini's searing dryness.

Recipe

2 dashes orange bitters

1 tsp maraschino cherry liqueur

1 oz sweet vermouth

2 oz Old Tom gin

Combine ingredients in a mixing glass. Add ice, stir for 12-15 seconds or until the drink is to your taste. Strain into a chilled cocktail glass and garnish with a lemon peel.

*Hayman's Old Tom gin is available at Lou's Pub in Birmingham. Disclaimer: I have not been paid or compensated to mention them in this post.

Cocktail of the hour -- the Moscow Mule

Photo credit to Mary Katherine Morris As a disclaimer, the Moscow Mule is the first and will probably be the last vodka drink I feature here. With a name that translates literally as "little water," this colorless and tasteless spirit doesn't add anything to cocktails other than alcohol content. Too many other delicious products exist to focus much energy on a substance that is renowned for its ability to blend in.

Ranting aside, the Moscow Mule is almost solely responsible for making vodka popular. Back in 1934, Rudolf Kunnett bought the rights to a French vodka brand called Smirnoff. Five years later, employee Jack Martin convinced the Heublein Inc. corporation to buy out Kunnett. They then bottled all of the remaining stock with whiskey corks from another unsuccessful venture. Despite its popularity with a certain faction of day drinkers, the product still hadn't caught on by 1946.

At this time, Martin started hanging out in a Hollywood joint called the Cock 'n' Bull Pub. The bar's owner was having an equally bad time trying to sell the spicy ginger beer he had been bottling. When both ingredients were dumped into a copper mug (made by yet another struggling businessman) and a lime wedge squeezed on top, the Moscow Mule was born. Topped with a meaningless but catchy name, this mixed drink was marketed well and helped popularize vodka.

Though we have this drink to blame for the increasingly sweet and artificially fruity vodka drinks that followed, this simple and refreshing concoction may just serve as the gateway to  drinking a Southside or Tom Collins. If that's the case, this vodka drink may just be able to cancel out a little bit of the harm it's done to the popular palate.

Recipe

.5 oz lime juice

2 oz vodka

ginger beer

Squeeze or pour lime juice into a chilled Collins glass or copper mug. Add a few cubes of ice, then add vodka and, if desired, a splash of simple syrup. Fill to the brim with ginger beer and lightly stir to combine. 

Cocktail of the hour -- the Sazerac

Thanks, Angel! Do you regularly pronounce New Orleans as "nawlins?" Would you rather chug a Jaeger Bomb than sip an Old Fashioned? If you've answered yes to the second question, the Sazerac may not be the drink for you. If you said yes to the first, you might need to befriend some actual New Orleans natives. Either way, if you're feeling adventurous or like whiskey at all, give it a chance -- you might be surprised.

As another descendent of the 18th century cocktail (liquor, sugar, bitters and maybe a splash of water), this variation adds in a few elements that will please drink nerds: a cool history and boldly flavored, relatively hard to find ingredients.

Though the  first written recipe for the Sazerac wasn't printed until the early 1900s, the history of the drink itself starts around 1850. At that point, Sewell T. Taylor gave up his bar and went into the liquor import business. One of his products was Sazerac-de-Forge et Fils. Aaron Bird, the man who bought Taylor's bar, renamed it the Sazerac House. Their specialty was the Sazerac Cocktail, a brandy-based drink made with Taylor's brandy and (supposedly) bitters made by the neighborhood apothecary, Antoine Amedie Peychaud.

Since then, the Sazerac House was bought and sold many times. At some point during Thomas Handy's ownership, he either wrote down the Sazerac recipe or shared it with someone. In any case, it ended up in the 1908 edition of The World's Drinks and How To Mix Them -- with one change: this cocktail called for "good whiskey," not Sazerac cognac.

During that time, Europe's grape crops were decimated by an infestation of American aphids. In just four years, French wine production was cut by 67 percent, and dedicated cognac drinkers switched to whiskey. For New Orleans, that meant switching to rye whiskey that was shipped to the city down the Ohio River to the Mississippi.

However the change happened, the spice of the rye compliments the bitters beautifully. Using just a touch of absinthe to rinse the glass gives the drink an herbal nose, and finishing the drink with a lemon peel adds depth and a light, citrusy note.

Recipe:

2 dashes Peychaud's bitters

1 dash Angostura bitters*

.25 oz simple syrup (or a sugar cube)

2 oz good rye whiskey (don't skimp -- use the good stuff)

lemon peel for garnish

Combine all ingredients except the lemon peel over ice in a mixing glass. Stir well to combine. Roll a few drops of absinthe around in a chilled rocks glass to rinse, and strain the mixture into the rinsed glass. Garnish with a lemon peel and enjoy.

*Angostura bitters aren't part of the original recipe, but they're a traditional ingredient.

Cocktail of the Hour: the Algonquin

Photo c/o Mike Tobey-McKenzie Sometimes the most interesting lore about a cocktail only tangentially relates to the drink itself. Such is the case with the Algonquin. Named for its supposed birthplace, New York City's Algonquin Hotel, this Prohibition era drink is more famous for its proximity to fame and wit.

During Prohibition, the Algonquin played host to a daily luncheon of the era's intelligentsia. Called the Algonquin Round Table, this midday meeting of minds was attended by poet and critic Dorothy Parker, New Yorker magazine founder Harold Ross and others including Harpo Marx. However, most of the Round Table's members were avowed highball drinkers, so it's unlikely they ever consumed a drink named after their group.

Interestingly, several 1920s drinks were named Algonquin in a bid to cash in on the action. Save this whiskey-based beverage, no others survived to modernity. According to some sources, another contender involved Bénédictine, blackberry brandy and rum. I'll pass.

Taste-wise, the Algonquin has a bit of a bite from the rye that helps to ease the first chill of fall. The whiskey also adds spicy notes balanced by the dryness of the vermouth, and the taste is rounded out by the tartness and sweetness of the pineapple juice.

Recipe:

2 dashes orange bitters

1 oz unsweetened pineapple juice

1 oz dry vermouth

2 oz rye whiskey

Combine ingredients and shake for 10-12 seconds or until combined. Strain into a chilled cocktail glass.

Cocktail of the Hour: the Daiquiri

c/o Angel Negrin In much of the restaurant industry, "blender" is a curse word. They are not only loud, breakable and time-consuming, but also pretty much useless in classic recipes. Believe it or not, one such drink is the daiquiri.

Named for a Cuban beach, this beverage's root date back to before the Spanish-American War. From there, its history gets hazy. Some sources suggest that the classic daiquiri's proportions mimic the daily rations of rum, citrus and sugar given to British sailors, suggesting that their grog was a less refined version of this cocktail. Other stories suggest that, since sugar cane and lime are indigenous to Cuba, that it was a combination of available resources.

What we know for sure is that this drink -- and many of its many variations -- has served up inspiration for writers and artists of all kinds. Hemingway himself frequented Cuba's La Florida (the self-proclaimed "Cradle of the Daiquiri"), and his drink made it into 1937's Bar La Florida Cocktails as "The Henmiway Special." Boasting translation skills on par with its spelling, this book is entertaining, but probably not the most reliable source.

After that point, the daiquiri became popular again in the 1940s and 1970s. Like many other cocktails, its most recognizable present form is actually a re-imagining from the 1960s/70s/80s that ratcheted up its sugar content to appeal to the public palate. Its most classic form, however, is a humble beverage that balances tart with sweet. Mix one up today to find out why it's inspired countless variations.

Recipe:

2 oz white rum

1 oz lime juice

1 oz simple syrup

Combine all ingredients in a shaker and shake for 10-12 seconds or until cooled through. Strain and serve straight up.

Cocktail of the Hour: The Southside

The SouthsideAs the story goes, the Southside was named for the South Side of Chicago's bootlegging joints. During Prohibition, citrus and sugar were mixed with bathtub gin to make it drinkable. Even if it wasn't one of the creations of that era, it is still a delicious gimlet variation. In the years since, it has become an institution at many country clubs. Even Tory Burch has claimed a vodka-based version of this drink as her favorite. The version documented in Townsend's The Bartender's Book is gin-based, and the spirit's botanicals add a layer of complexity to the taste. Fortunately, we don't live during Prohibition, and many of the products previously unavailable in Alabama are now here. Experimenting with different gins will yield slight changes in the cocktail's flavor and body, but the citrus and mint are somewhat forgiving.

This beverage is best made while the weather is warm and mint is in season. Since we've only got a few weeks left that meet both requirements, shake one (or few) up for the perfect picnic/tailgating/afternoon tipple.

Recipe:

4-6 mint leaves

1 dash Angostura bitters*

1 oz lime juice

1 oz simple syrup

2 oz gin of your choice

Lightly bruise -- do not pulverize -- mint leaves in the shaker. Add the rest of the ingredients and shake for 10-12 seconds to combine. Strain into a chilled glass.

*Editor's note: the traditional Southside isn't made with bitters, but they add depth of flavor. Try it both ways!

How to budget for freelance anything

family-budgetAs a bartender and freelance writer, my income is now completely variable. From week to week, my tips and invoiced articles depend on the economy, strength of my pitches and market saturation. Recently, things have slowed down and made me antsy. When I get nervous about money, I obsessively crunch numbers. Since I was in college, spreadsheets and kept receipts have been a kind of financial security blanket. Tracking every penny I earn and spend gives me (at least) the illusion of control. Currently, my plan is based on the tricks I've learned over the years of saving my pennies.

  • Calculate your baseline income. Do you have a monthly column? Weekly blogging gig? How about a part-time job? This money defines your budget for your basic expenses. Keeping within this amount can ease your basic money worries.
  • Map your basic expenses. Chart your costs for rent, utilities, insurance, credit card payments, etc. When you get a check or tipped out, immediately set this amount aside.
  • Define other categories of costs. Food, gas, household items and personal care can be much more easily paid in cash. Divide the month up into manageable chunks and put the amount for each category into an envelope. Once the envelope is empty, you're effectively broke.
  • Give yourself an allowance. If you're used to earning and spending freely, having something to spend at your discretion can make even the tightest budget more manageable. But, as in other categories, once it's spent, it's gone for that period.
  • Save an emergency fund. Put $10 aside for every check or tip out you receive. Getting into the habit of saving even the smallest amount of money can add up quickly. After a few months, even the smallest amount of savings can provide a buffer if your income falls.
  • Save your pennies. Seriously. Adam and I have now gone on two vacations from saving our pennies and using reward credit card for baseline expenses. However, for those who are starting out budgeting, don't touch the plastic. Establishing a cash-based system gives physical reinforcement when the amount is spent.

Have any freelance budget tips of your own? Pass 'em along!

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Introducing -- Cocktail of the Hour

Photo c/o Angel Negrin At Octane, we bartenders use the daily dinner hour lull to Instagram pictures of drinks and their ingredients. Many of the cocktails are both beautifully colored and cleverly named. As a result, I've become somewhat engrossed in research on the subject.

Weekly Cocktail of the Hour posts will highlight one cocktail and its history as told by the books and online sites I frequent and love. This week, the Last Word hits the top of the list. Though the exact quantity varies, the basic recipe calls for equal parts gin, Maraschino liqueur, Green Chartreuse and lime juice.

Developed in Detroit right before the start of Prohibition, this cocktail is almost more famous for its disappearance than for its origin. Interestingly, the name's origin remains a mystery.

After its introduction in the early 1920s, the Last Word almost entirely disappears from the historical record for 80 years. Though it resurfaced in Ted Saucier's 1951 Bottoms Up, it remained obscure until it was rediscovered and brought back to fame in 2004 by Seattle's Zig Zag Cafe.

Though summer is drawing to a close, the Southern heat will most likely endure until early or mid-October. The lime's acidity, Chartreuse's earthiness, Maraschino's sweetness and gin's herbaceousness all come together to create a light, sippable cocktail you'll want to keep in your glass all day long.

Recipe:

3/4 oz lime juice

3/4 oz Green Chartreuse

3/4 oz Maraschino liqueur

3/4 oz gin

Shake for 10-15 seconds or until cooled through. Strain into a chilled coupe glass.

Do or do not. There is no try

Photo c/o Shutterstock. Since I graduated college, I have resisted defining myself by my job title. After being raised to be the author of my own story, the idea of describing my identity with others' words makes me feel like some manic pixie dream girl. Once I quit my day job to bartend and freelance, I have fewer reservations about shaping titles like these to fit my life.

Not using these titles became an excuse. Denying that I am a writer and a runner gives me the slack I need to put off blog posts and speed drills. Not admitting these parts of my identity gives me the room to fail without fear of consequence. If I'm not a writer, having a pitch ignored or rejected is just part of being an amateur freelancer. If I'm not a runner, spending the afternoon on my couch instead of the sidewalk isn't neglecting a training routine, it's personal care.

The truth is that I am both a writer and a runner. My spreadsheet of story ideas and markets won't pitch itself, and I'll never be able to run 3.11 miles if I don't lace up. Pretending that I have no responsibility to these titles won't cut it anymore. I simply can't ignore it anymore.

Tonight I work my first solo bartending shift at Octane. Though I haven't been too hesitant about calling myself a bartender, I qualify the title by adding "baby" or "in training." Truthfully, I will be learning new parts of the craft during every shift I work. If I keep using a qualified title now, I may never stop, further hindering my ability to hone my skills.

Needless to say, the denial and qualifications stop now. I am a writer, runner and bartender, and should direct my energy to develop these abilities instead of denying them. It's about damn time.

Today's title comes from Yoda's speech to Luke.

An ordinary life

Behind the bar at Octane. Photo credit to Mercedes Tarasovich-Clark. A year is a surprisingly long time. At the beginning of August last year, I was on the verge of starting my first non-temporary office job. I had never seriously considered a career as a freelance writer, personally blogged or mixed a classic cocktail.

After spending several months in a cubicle, I was restless, lethargic and generally miserable. Tutoring and freelancing were the only paid gigs that reflected what I'd learned during my time in school, so I focused my energy there. At a certain point, it was too much. I'm pretty good at pacing myself, but six hours of sleep couldn't replenish the amount of energy burned each day.

Then I got an offer I couldn't expect -- a chance to learn the art of craft cocktails from one of my favorite bartenders in Birmingham. Two years' experience writing about cocktails had given me a taste of the industry, but not the deeper knowledge I needed to cover the topic in depth. My full-time job wouldn't accomodate this change, so I put in my two weeks' notice.

Yes, I quit my job to tend bar. Yes, it may sound like a quarter life crisis. No, it was not a bad idea.

So far, it's been one of the best decisions I've ever made. I have learned how to properly stir/shake a cocktail, explain a bar's worth of product and actually taste wine/beer/liqueur/liquor. Historical cocktail books became my reading materials, and my drink flashcards became a permanent fixture in my purse.

I love it. I love it all, and through it I've become part of the up-and-coming food and drink scene in Birmingham.

With my recent career and lifestyle changes, I've been considering splitting this blog into sections: writing, mixing and running. All three are topics I love, and each brings a part of my life into balance. However, the division into three separate blogs might be out of reach both financially and time-wise. For now, I will categorize posts based on these topics.

Today's title comes from a yoga instructor's discussion of the importance of an ordinary life. Obviously, my definition of ordinary has drastically changed over the past few months.